FIELD WORK / FREE CULTURE / PROGRAM


program FREE CULTURE CAMP

*=read more below

Thursday the 28th of February
18:00 Opening, beer and food
19:30 FILM: Good Copy Bad Copy  + talk by the films co-director Henrik Moltke

Friday the 29th of February
14:00 YNKB, Repair workshop (throughout the day)
15:00 Cube Cola, performance/ talk by Kayle Brandon
17:00 Andreas Wegner: 
Concerts in Shopping Malls, 2001-2003 *
19:00 Food for all

Saturday the 1st of March
12:00 Civil Rights Walk with Lise Skou and Nis Rømer
14:00 YNKB, Repair workshop (throughout the day)
14:00 Kristine Briede about her project in Karosta, Latvia
16:00 Amy Balkin, Talks about her projects.
18:00 Films and discussion w.
Groupwork (DK)**
19:30 Food for all

The exhibition will be open from
the 28th of February -16th of March
Exact times to be determined

Further info

*Andreas Wegner; Concerts in Shopping Malls, 2001-2003
Within the project “Concert”, a collaboration of Andreas Wegner and Peter Waechtler, several unauthorized concerts took place in Berlin shopping malls. The short concerts (Guitar, Beatbox, Vocals, amplifier, rechargeable battery, two folding chairs, one folding table 2,50 m) were announced by posters and invitation cards. They were often interrupted in harsh ways by the security staff, so that in these cases the concert was continued in front of the mall. The lyrics of the songs refer to the specific sites of the performances. The series of concerts is a research on the relationship between customer, mall, security and music.


**
Films and discussion w. Groupwork/ Students from the Art Academies (DK)
  The first film is an Interview with a person who started "Society for Organized Access" - a housing network that through mapping and shared Knowledge administrates empty houses in the city of Copenhagen. The second film is about travelling in a freight train. The 28th of December 2007, 4 persons went from Padborg to Basel. Three of them met again to talk about and analyse their experience.
  After the screening of these two films we would like the audience to actively participate in constructing a situation. A room for for discussion.
  Why do we seek non-spaces? What can we receive from these, and how are we able to construct situations and spaces of action within what we could call alienating spaces?